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Hi, I'm Martijn Vreugde this is a collection of my rambling thoughts on modern media, inspirational design and... well pretty much anything I found interesting enough to share with you fine upstanding folks of the internet.
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While scanning the internet for great designs we tend to find huge amounts of amazing illustrations, drawings and paintings which we’ve chosen present in our “Design” section.
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Sometimes she merely has to give you a look to cause your breath to pause.
Love it when that happens…
Amazing high quality artworks in various categories from great designers all over the globe.
HI! I’m Martin Grohs, a 24-year-old ditigtal artist and designer based in Leipzig, Germany.
I’m interested in all kinds of arts since my early childhood, particularly in digital art. The contact with photography took me to the image processing in Photoshop and Illustrator.
And now I´ve been creating digitial art for 4 years.
Meanwhile I have specialized in photomanipulation and use Photoshop, Illustrator and Cinema4D to express and visualize my Ideas.
I work for commercial clients in United States, Germany, Brazil, Greece, Singapore and India. I’m also a member of several art collectives such as Intrinsic Nature, Heartsurge, Espadon 21 and the Revuh Network.
Let’s have a look on my Folio martin-grohs.com
Lets work together! Have a project in mind?
Or can I help you with anything else?
Feel free to contact me for any questions_
www.martin-grohs.com or http://www.facebook.com/martingrohs
Seriously… as if your reading this when these designs above are so stunning.
Alexander’s illustrations are incredibly well done with a really unique style and massive attention to detail. Simply breathtaking!
More of Alexander’s work is available on his Behance and DeviantArt profiles.

It’s been two years since Adobe unveiled a new version of Photoshop, so it shouldn’t come as a surprise that the company’s engineers have been toiling away behind the scenes on a major update. The outfit’s clearly ready to start showing off the fruits of its labor, though, as it just unveiled the beta version of CS6. All told, the outfit’s added 65 user-feedback-inspired features, including a new crop tool, expanded video editing options, auto recovery and the ability to search for specific layers. Fans of the dotted lines in Illustrator now get the same vector tools in Photoshop. Additionally, every slider for the Camera Raw 7.0 plug-in (exposure, contrast, etc.) has a freshly tweaked algorithm. And for anyone who’s ever looked on helplessly as Photoshop locked itself up during a long file save, projects can now save in the background while you work on other things. Looking for more info? A brief rundown of the beta and a full list of new features awaits just past the break.

Adobe’s also made some refinements to existing features. The liquify tool, for instance, now has a larger maximum brush size, and works in real time so you can see the effect in real time. Adobe’s also added two features to complement Content-Aware Fill, which was first introduced with CS5. These include one for moving objects to different part of the image, and one for patching up a spot with content taken from another part of the picture.

With change comes some potential readjusting, though. In addition to adding more functionality, Adobe’s overhauled the UI so that it has a dark background by default (this is customizable, to an extent) with a generally cleaner smattering of icons and menus. Even the setup process has been overhauled: now, users must sign in with an Adobe ID before installing the software. Though there are contingencies for people without an internet connection, the idea is that people will enjoy more efficient support if they don’t have to fumble around for a long-lost serial number.

There’s one thing that hasn’t changed and that’s pricing. When this goes on sale it’ll cost $699 as a standalone product, and $999 for the extended version. For now, though, you can download the free beta (it’s only available as an English- and Japanese-language program for now). If you only have two minutes, we’ve also got the full PR after the break, along with an official list of new features and tweaks.
Billy Steele contributed to this report.
Brushes
- HUD brush resize and hardness can now change opacity
- Increase brush size to 5000px
- Change color dynamics to per stroke instead of per tip (user option for old behavior)
- Brightness/contrast slider for textures when painting
- Brush projection for static tips
- Brush cursor reflects brush dynamics for round and captured tips
Eyedropper
- Show the sample size popup for the various eyedropper tools (black point, white point,
etc.)
- Add ignore adjustment layers options bar item for the eyedropper
- New mode for eyedropper to select layers current and below
File formats
- Read common stereo image pair formats (JPS, PNS) Allow for more bit depths in TIFF files
- Read BIGTIFF format
- Give the user choices regarding how they want transparency treated in OpenEXR on file open
Grammar
- Policed throughout app
- Use consistent grammar style in the title of dialog windows (no commands such as “Choose a color:”)
Layers
- Add a contextual menu item that deletes a layer effect not just disables it
- Add dither options to Layer Styles for Gradient Overlay and Gradient Stroke
- Allow 00 or Shift 00 to work when setting layer/fill opacity (previously no way to get 0%)
- Add bicubic sharper & bicubic smoother options when free transforming layers
- Allow changing of blend modes for multiple layers at once
- Allow locking of multiple layers
- CMD+J to duplicate layers and layer group
- Allow changing color labels to multiple layers at once
- Layer tooltips to include layer name (if defined)
- Opt+click on toggle arrows (groups and effects) in layer panel should close all targets
- Show blend if/Blending Effects badge on layer
- Show correct opacity and blend mode values for hidden layers
- Tab goes to next layer on inline layer rename, SHIFT + TAB goes to previous
- New command to raster layer effect into layer, merging the selected layers into themselves
- Reorder effects in the layers palette to match the Z-order style/blend mode (bottom most effects in termsof blending order, drop shadow is below the other effects
Liquify
- Resize Liquify brush with shortcuts
- Increase maximum Liquify brush size Add option to load last mesh
Presets
- Add new document presets for common devices (e.g. iPhone, iPad, etc.)
- Add new Gradient Map presets for toning and split-toning
- Sticky reorganization of tool presets (changes persist after re-launch) Add Contact Sheet II as an Automation option
SDK
- Add the ability to return an array of guides in a document from the scripting SDK
- Add ability to access tool name associated with the tool preset name via scripting
Selections
- Make the marquee, lasso, and mask panel feather values support decimal places like the feather dialog
- Remember feather radius when showing dialog for selection from a path
Transform
- Improve dragging of vector curves
- Don’t hide smart object icon when transforming a layer
- Rotate 90 with even x odd pixel dimension to be smooth (bjango.com)
- Undo or disable auto -rotate on open
UI
- Remove the app bar and reduce the drag/app bar over 30%
- [Windows] New/open document to context click on a document tab (has always been on Mac, now Windows too)
- Add “Don’t show again” checkbox to Purge warnings
Miscellaneous
- Enable Split Channels for documents with layers
- Select Hex field by default and allow clipboard pastes with # in contents (i.e. #fffffff)
- Increased GPU stability by prequalifying GPUs on the fly before use
- Auto-select the best resample method based on the type of resize
- Enable Invert and Threshold adjustments for masks in 32 -bit
- Hold SHIFT during startup to disable 3rd party plugins
- Add warning message that 16 -bit images cannot display their file size in the Save as JPEG dialog
- Add command to insert “lorem ipsum” for type
By Dana Wollman
In From up North’sinspiration galleries we present the latest of our findings from the wonderful world of design. Amazing high quality artworks in various categories from great designers all over the globe.
In this video post I’ll show you some of my favorite techniques and tools for keeping your files flexible including Smart Objects, Smart Filters, Layer Styles, Adjustment Layers, Masks and more. The approaches shown in this video should provide a solid starting point, but like anything in Photoshop there is no one right way to approach it.
We wait for her, because she holds the promise of freedom and relaxation from what we have to do towards what we want to do. But she takes her sweet time to make sure she feels wanted.
Photoshop maker Adobe Systems, Inc., released a long-expected iPad companion aptly named “Photoshop Touch.” The Android version demonstrated at Maxx earlier this year and released shortly afterwards.
The first in a series of six touch-optimized apps (the other five are Collage, Debut, Ideas, Kuler and Proto), it supports Photoshop layers—arguably the basic and most-oft used Photoshop feature. With simple finger gestures, users can combine multiple photos into layered images, make popular edits, and apply professional effects. It also provides advanced selection tools and adjustments.
According to Adobe’s website, the tablet-exclusive Scribble Selection Tool lets you extract objects in an image by simply scribbling on what to keep and then what to remove. With Refine Edge technology from Adobe Photoshop, even hard-to-select areas with soft edges, such as hair, are easily captured when making selections. Photoshop Touch also plays nice with Creative Cloud—a brand new paid cloud storage service from Adobe for seamless sync of your Photoshop files between desktop and iPad.
Social sharing is also supported through Facebook or email. You can also import images from Facebook, Google Image Search, and your iPad’s camera roll. Photoshop Touch works only on iPad 2 and requires iOS 5. The app is a $9.99 download from the App Store. Photoshop Touch became available on Android devices last November.
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then the dominant personalties took over
the sweet kid only wimpers in the dark lower corners of our mind now, too terrified to look up fo fear of seeing the draconian ideas swarming above.
I dare you not to be impressed with this guy
These great Photoshop masterpieces are by the legendary Polish photographer/graphic designer Wojciech Magierski. His surrealistic work is pure genius and awe inspiring
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Designed just for fun, a kinda feeling that comes at 5pm (AKA Home-time).
A compilation of various wallpaper designs I had around so not taking full credit, anyway hope you like.